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TRACK LIST

1) ALL THESE HATERS ( PRODUCED BY CARTEL X )
2) ON TIME ( PRODUCED BY TRABEATS )
3) CHECC MY RESUME FT KC ( PRODUCED BY ODDZ N ENDZ )
4) LOOKIN GOOD ( PRODUCED BY B )
5) WHISTLE FOR THE MONEY ( PRODUCED BY DJ NOODLES )
6) LAY EM DOWN ( PRODUCED BY B )
7) CAN’T BREATHE ( PRODUCED BY ODDZ N ENDZ )
IN THE STREETS ( PRODUCED BY CARTEL X )
9) I GET HIGH ( PRODUCED BY B )
10) GOT DA CRACC ( PRODUCED BY DAME GREASE )
11) CANDY PAINT ( PRODUCED BY DJ NOODLES )
12) SMOKIN DAT DRO ( PRODUCED BY TRABEATS )
13) BAD BITCH ( PRODUCED BY RYAN LESLIE )
14) ALL I WANT ( PRODUCED BY DAME GREASE )
15 IMA LOC ( PRODUCED BY J-MACK )

After nearly a decade of personal upheaval, incarceration and overall turmoil, Koshir made a last ditch effort to turn his life around and make something of himself, as the then 19-year-old enrolled at Mesa State College of Colorado. After 3-months of collegiate life, that’s exactly what happened, as a friend introduced him to the music of rapper Tech N9ne and he found his calling—and simultaneously began paying more attention to making music than going to school.

Koshir’s life soon became consumed with music – writing it, recording it, promoting it and performing it. He was recording music on his laptop, which lead to his first performances. From there, Koshir’s enjoyable brand of radio ready, party-centric music, non-stop hustle and grind earned him a major buzz in the region. He released edgy Independent releases such as Garbage and Illy Wonka And The Pilly Poppin Factory and was also opening for A-List (Twista, E-40, Ying Yang Twins, Too $hort and Mistah Fab) national talent when they would perform in the area.

Now based in Montana and aligned with emerging Montana-based imprint Wapikiya Records, Koshir is ready to make his mark on the national scene with White Girl Diaries, an album that focuses on women, making money and having fun. The airy “Baby I Go” is an understated club jam, while the imaginative “SpongeBob Squshy” is a hyphy track that displays Koshir’s comedic persona. Elsewhere, Koshir displays the many facets of his personality with the playful “Naked Twister” f/Krizz Kaliko of Tech N9ne’s Strange Music family and the more demented “Killin All Lames” with Cool Nutz and Double00, while “Poe Boi” details his struggles in the streets.

“I want to be that one that was doubted, that came from nothing and made something better,” he says. “I feel like it’s time to do something different. With White Girl Diaries, the people behind it and the money behind it, it will actually get to some ears, some people that actually have influence.”

The fact that you’re reading this means that he already has.

You can check out Koshir’s feature in the September 2010 issue of Murder Dog Magazine here: http://my.texterity.com/murderdogmagazine/vol17no2#pg24

Download link to Koshir’s “Naked Twister” f/Krizz Kaliko: http://www.mediafire.com/?gapu9ge0hin8thq

Tracklisting and credits for Koshir’s White Girl Diaries LP:

1.) Intro
2.) Reverse In Time
3.) Guaranteed Mil
4.) Get Money
5.) I’m Rollin (Message)
6.) No Bueno
7.) Naked Twister f/Krizz Kaliko
8.) Baby I Go
9.) Beat Strangla
10.) Killin All Lames f/Cool Nutz & Double00
11.) Umpa Lumpa
12.) Intermission
13.) Green Goblin
14.) Mosh
15.) Alien Girl
16.) Zilla Stomp
17.) Poi Boy
18.) Party Animal (Message)
19.) Spongebob Squshy
20.) The Cure
21.) Filthy

John knows a thing or two about passion and good music. Born and raised in the Motor City, John was the youngest of five and a preacher’s kid who sang in his father’s church every Sunday. His mom- who at the age of 17 had her own deal with Motown Records- would play hours of classical music in the house, “basically to calm us down,” John recalls.

In middle school, John joined a local youth theater group, which nurtured his vocal and acting skills and granted him the opportunity to sing the National Anthem at Pistons and Lions games. In fact, on five different occasions he was chosen to perform for President Clinton.

John competed in numerous talent shows in high school and won them all. Word spread fast around town about the precocious singer, who began to pursue a record deal. One day, an acquaintance contacted him and best friend Robert Curry (now of Day 26 fame) to inform them that musician/producer extraordinaire Wyclef Jean was looking to sign a group. Springing into action, John called two additional singers, formed the male foursome E2G, and drove to New Jersey, where they auditioned for Wyclef and were signed to Clef Records/J Records. A year later, however, the group disbanded, citing “creative differences.”

“Clef had a vision for the group that didn’t really suit us,” says John. “It was definitely a friendly split though. Clef actually wanted to keep me on as a solo artist, but I wanted to finish high school and he respected that.”

John remained in New Jersey long enough to graduate from Linden High School in 2004. That fall, he enrolled at Grambling State University on a full academic choir scholarship. He spent the next four years transferring to different schools (“I was constantly searching for a program that had high standards”), performing and recording music. While he hadn’t completely abandoned the idea of a record deal, the hard-working artist –now back in Detroit – didn’t prioritize it. That is, until someone hit him up on Myspace.

“I’d posted an ad on Myspace looking for management and producers and two weeks later, this random guy reaches out and says he knows some people who could help me. I was suspicious at first because people say that kind of stuff all the time, but something told me to take him seriously.”

Despite several reservations, he met with the mysterious man – known only as “Rico” – in the summer of 2009. Rico led John to a coffee shop, where Phillip Ragan, a successful Detroit-based entertainment attorney, was waiting. Impressed by the singer’s talent and background, Ragan signed John to his Mophilin Entertainment label. Within weeks, John was in Atlanta, where he recorded “Imma Love You Right.” The song became a radio hit in Detroit, piquing the interest of numerous record labels. John eventually signed with Universal Republic, only six months after that fateful coffee shop meeting.

Now, faced with high expectations and aggressive goals, John is preparing for the release of his debut album. A subtle mix of R&B with a hint of Hip Hop and Rock influences, the album is designed to uniquely showcase John’s distinct voice.

“I don’t focus on any one genre,” he maintains. “I can sing classical, rock, pop—pretty much anything… I don’t have to use Auto-Tune on a record. I’m a real singer. I can sing on the spot without any technology, just like the old school cats did.”

John seamlessly infuses his multi-faceted vocals on the breezy, sensuous first single “Imma Love You Right,” produced by Bei Major (Ne-Yo, Trey Songz, Chrisette Michelle) and Larry “Detroit” Nix (Jagged Edge, Heather Hedley, Lil’ Jon, R. Kelly) and written by The Council. The song describes the many ways John will love a woman – with his eyes, his hands, his voice and his time – as his silky tenor glides over the mid-tempo rhythm.

“This song is for every girl who’s ever been in a hurtful situation with a guy,” he explains. “Good guys do exist in this world.”

Indeed, no R&B album is complete without a few club joints, and when it comes to the dance floor, this album will not disappoint. “I wanted to make a fun record that described a scenario everyone can relate to,” says John. “It’s feel-good music.”

And he certainly wants to continue making this feel-good music for years to come, just as his icons Tank, Usher, Coldplay, Jimi Hendrix, Sting, Jay-Z and Nas have done before him. John acknowledges that the secret to their success is focus and perseverance, qualities he’s incorporated into his own journey.

“From the time I was a kid, I’ve had my eyes set on winning – not losing. I’m not the guy who does a lot of random stuff. I’ve always stayed on a positive path so I can have longevity. Nothing takes me off focus. I’m determined to make it.”

Now that’s passion you can really feel.

www.MusicbyJohnBrown